United States v. One Book Called Ulysses - Further Readings

Plaintiff
State of New York
Defendant
One Book Entitled Ulysses by James Joyce
Plaintiff's Claim
The book violated national standards for obscenity.
Chief Lawyers for Plaintiff
Nicholas Atlas, Samuel C. Coleman, Martin Conboy
Chief Defense Lawyers
Morris L. Ernst, Alexander Lindey
Judge
John M. Woolsey
Place
New York, New York
Date of Decision
26 November 1933
Decision
The book was ruled not obscene.
Significance
Judge John Woolsey's decision in the Ulysses case marked a notable change in the policies of the courts and legislative bodies of the United Statestoward obscenity. Before this decision, it was universally agreed that a) laws prohibiting obscenity were not in conflict with the First Amendment of theU.S. Constitution and b) the U.S. Post Office and the U.S. Customs Service held the power to determine obscenity. Ulysses became the major turningpoint in reducing government prohibition of obscenity.
Friends of James Joyce had warned him that Ulysses would run into trouble with American postal and customs officials. As early as 1919 and 1920, when the Little Review serialized some of the book, the U.S. Post Officeconfiscated three issues of the magazine and burned them. The publishers were convicted of publishing obscene material, fined $50 each, and nearly sent to prison.
After that decision, several American and British publishers backed off fromconsidering publishing the book in its entirety. Joyce, visiting his friend Sylvia Beach's Parisian bookstore, Shakespeare and Company, despaired of finding a publisher. Beach then asked if Shakespeare and Company might "have the honor" of bringing out the book. Thus Ulysses was first published in 1922 in Paris and instantly became an object of smuggling pride and a valuablecollector's item when successfully transported past British and American customs agents. By 1928, the U.S. Customs Court officially listed Ulyssesamong obscene books to be kept from the hands and eyes of American readers.
Meantime, such literary figures as T. S. Eliot, Virginia Woolf, and Ezra Pound had acclaimed the Joyce work as already a classic. In Paris, Bennett Cerf,who with Donald S. Klopfer had successfully put the Random House publishing firm on its feet by establishing the Modern Library, told Joyce he would publish the book if its publication could be legalized.
Two Percent for Life
Cerf engaged Morris L. Ernst, America's leading lawyer in obscenity cases. Ernst's fee, contingent upon winning the case, was a five percent royalty on the first 10,000 published copies, then two percent for life on all subsequentprintings.
Ernst and his associate, Alexander Lindey, carefully planned their strategy.Early in 1932, they had a copy of the book mailed across the sea, expecting customs to seize it. It arrived untouched.
"So we had a friend bring a copy in," wrote Klopfer many years later, "and wewent down to the dock to welcome him! The Customs man saw the book and didn't want to do anything about it, but we insisted and got his superior over, and finally they took the book and wouldn't allow us to bring it into the U.S.because it was both obscene and sacrilegious." That copy was sent by customsto the U.S. attorney for libel proceedings. One meaning of the word "libel" is "the publication of blasphemous, treasonable, seditious, or obscene writings or pictures."
Ernst then got the U.S. attorney to agree to have the issue tried before a single judge--thus avoiding the potential pitfalls of a jury trial.
Finally, Ernst managed to keep postponing the case until it came before one particular judge: John M. Woolsey. The judge was known to Ernst as a cultivated gentleman who wrote elegant decisions and who loved old books and antique furniture.
The judge further postponed hearing the case to give himself time to read Ulysses and other books that had been written about it. But at last, on 25 November, in a jam-packed small hearing room that seated fewer than 50 people, the hearing began. One of the prosecuting attorneys turned to Morris Ernst. "The government can't win this case," he said. Ernst asked why. "The onlyway to win," said the prosecutor, "is to refer to the great number of vulgarfour-letter words used by Joyce. But I can't do it." Why not, asked Ernst.
"Because there is a lady in the courtroom."
"But that's my wife," said Ernst. "She's a schoolteacher. She's seen all these words on toilet walls or scribbled on sidewalks by kids who enjoy them because of their being taboo."
The government's case against Joyce's book made two distinct objections. First was the use of four-letter words not mentionable in polite company. Ernst set out to prove that standards of obscenity change, and that by the standardsof 1933, Joyce's choice of words did not make the work obscene. To help makehis point, Ernst traced the etymologies of a number of four-letter words. Ofone particularly abhorrent word, he said, "Your Honor, it's got more honestythan phrases that modern authors use to connote the same experience."
"For example, Mr. Ernst?"
"Oh--`they slept together.' It means the same thing."
"That isn't usually even the truth," said Judge Woolsey.
At that moment, Ernst later remarked, he knew "the case was half won."
The second objection was to the frankness of the unconscious stream of thought that Joyce portrayed in such characters as Molly Bloom. This was (as Ernstlater put it) Joyce's "dramatic incisive attempt to record those thoughts anddesires which all mortals carry within themselves."
The judge asked Ernst if he had read through Joyce's entire book. "Yes, Judge," he replied. "I tried to read it in 1923 but could not get far into it. Last summer, I had to read it in preparation for this trial. And while lecturingin the Unitarian Church in Nantucket on the bank holiday . . . "
"What has that to do with my question `Have you read it?'"
"While talking in that church I recalled after my lecture was finished that while I was thinking only about the banks and the banking laws I was in fact,at that same time, musing about the clock at the back of the church, the oldwoman in the front row, the tall shutters at the sides. Just as now, Judge, Ihave thought I was involved only in the defense of the book--I must admit atthe same time I was thinking of the gold ring around your tie, the picture of George Washington behind your bench and the fact that your black judicial robe is slipping off your shoulders. This double stream of the mind is the contribution of Ulysses."
The judge rapped on the bench. "Now for the first time I appreciate the significance of this book. I have listened to you as intently as I know how. I amdisturbed by the dream scenes at the end of the book, and still I must confess, that while listening to you I have been thinking at the same time about the Hepplewhite furniture behind you."
"Judge," said Ernst, "that's the book."
"His Locale Was Celtic and His Season Spring"
On December 6, Judge Woolsey delivered his opinion on United States v. OneBook Called Ulysses:

I hold that Ulysses is a sincereand honest book, and I think that the criticisms of it are entirely disposedby its rationale . . . The words which are criticized as dirty are old Saxonwords known to almost all men, and, I venture, to many women, and are such words as would be naturally and habitually used, I believe, by the types of folk whose life, physical and mental, Joyce is seeking to describe. In respect of the recurrent emergence of the theme of sex in the minds of his characters,it must always be remembered that his locale was Celtic and his season Spring . . .

I am quite aware that owing to some of its scenes Ulyssesis a rather strong draught to ask some sensitive, though normal, persons to take. But my considered opinion, after long reflection, is that whilst in manyplaces the effect of Ulysses on the reader undoubtedly is somewhat emetic, nowhere does it tend to be an aphrodisiac. Ulysses may, therefore, be admitted into the United States.

Ten minutes after the judge completed his statement, Random House had typesetters at work on Ulysses.
The government appealed Woolsey's decision to the Circuit Court of Appeals, where Judge Learned Hand and his cousin, Judge Augustus Hand, affirmed the judgment. Judge Martin Manton dissented.
Did Censorship Help ?
James Joyce's Ulysses, is far more than an obscenity case. The tale ofa single day in the life of Dublin, Ireland, it is modelled after Homer's Odyssey; only in Joyce's version, Odysseus or Ulysses is reborn as Leopold Bloom, a mild-mannered Jewish advertising salesman whose wife regularly cheats onhim with younger men.
It was chiefly the parts involving Molly, Leopold's wife--passages involvingreferences to sexual acts--which raised the censors' hackles. But consideringthe densely layered texture of Joyce's book, which is not so much a story asa celebration of various literary techniques in symbols, it is hard to imagine how anyone other than a serious reader ever got to the questionable portions.
Ulysses was never the sort of book likely to be read by the general public: so difficult is the narrative that Joyce scholars recommend the use ofa guidebook.
How did the book acquire such a reputation that it was banned in America formany years? Simply through the attentions of censors--who have added immeasurably to the notoriety of a book that would otherwise be largely unknown in non-literary circles.
Sources
Gilbert, Stuart. James Joyce's Ulysses: A Study by Stuart Gilbert. NewYork: Vintage, 1955.